The double bass is the largest and lowest-pitched member of the bowed string family, and it is also the odd one out in an important way: while the violin, viola, and cello are tuned in perfect fifths, the double bass is traditionally tuned in fourths. That difference, along with its sheer size, shapes how bassists move around the instrument and the kinds of roles it takes on, from anchoring a symphony orchestra to walking a bass line in a jazz combo. This guide looks at the double bass's construction, its distinctive tuning, and how its role shifts between classical and jazz contexts.
Key Ideas
- The double bass is tuned in fourths (commonly E-A-D-G), unlike the fifths tuning used by the violin, viola, and cello.
- Its large size and wide string spacing make fourths tuning more physically practical for the left hand.
- In orchestras, the double bass typically reinforces the harmonic foundation beneath the cello section.
- In jazz and many folk traditions, bassists often play pizzicato (plucked), producing the "walking bass" style associated with those genres.
- The double bass and the bass guitar share a similar musical role despite very different construction and playing technique.
The Largest Member of the Family
The double bass stands roughly six feet tall and is generally played either standing or seated on a tall stool, with the body angled against the player's torso. Its size alone sets it apart from the cello, viola, and violin, and its strings are proportionally thicker and under more tension, producing the instrument's deep, resonant low end. Because of its scale, reaching across the full span of a fingerboard position takes considerably more hand movement than on a cello, which factors directly into how the instrument is tuned.
Why Fourths Instead of Fifths
Most of the bowed string family, including the violin, viola, and cello, is tuned in perfect fifths between adjacent strings. The double bass breaks that pattern: its four strings are commonly tuned E, A, D, and G, each a perfect fourth above the one below it (some players use a fifth string tuned lower still, or a mechanical extension, for additional low range). The practical reason usually given is hand span. A fifth is a wider interval than a fourth, and on an instrument as large as the double bass, spacing fingerings a fifth apart across each string would require an impractically large stretch for most hands. Tuning in fourths keeps left-hand finger patterns within a more manageable reach, at the cost of a less direct relationship to the fifths-based fingering logic used on the rest of the string family; see how tuning systems work on string instruments for more on how these systems are chosen.
| Instrument | Tuning Interval Between Strings | Common Open Strings |
|---|---|---|
| Violin | Perfect fifth | G, D, A, E |
| Viola | Perfect fifth | C, G, D, A |
| Cello | Perfect fifth | C, G, D, A |
| Double bass | Perfect fourth | E, A, D, G |
A Different Role in the Orchestra
In orchestral and chamber settings, the double bass most often functions as the harmonic foundation, reinforcing the bass line that the cello section also plays, typically an octave lower. This role is as much about supporting the overall sound structure as it is about melody; the double bass section anchors pitch and rhythm for the rest of the string section, discussed more broadly in the role of string instruments in an orchestra. The instrument is played with a bow in most classical contexts, producing a sustained, grounding tone, and techniques for that bowing are explored in How Bows Affect the Sound of String Instruments.
Pizzicato and the Jazz Role
Outside the orchestra, the double bass is frequently played pizzicato, meaning the strings are plucked with the fingers rather than bowed. This is the standard technique in most jazz, as well as in many folk and bluegrass traditions, where the bassist typically plays a "walking bass" line, a steady sequence of notes that outlines the harmony and drives the rhythm underneath the rest of the group. The percussive attack and resonant decay of a plucked note on a large hollow body is a distinctive sound in its own right, quite different from the sustained tone produced by bowing. Many jazz and folk bassists move fluidly between pizzicato for rhythm-driven passages and, occasionally, bowed passages for a more sustained, melodic effect.
Relationship to the Bass Guitar
The bass guitar was developed partly as a more portable, amplified alternative to the double bass, and the two instruments are often called on to fill a similar musical role: providing a low-register foundation beneath chords and melody. Despite that shared function, their construction and technique differ substantially. The bass guitar has frets, a solid or semi-hollow body, and is almost always amplified electronically, while the double bass is fretless, has a large acoustic body, and can be played either bowed or plucked. A closer comparison of the bass guitar's role appears in What Role Does the Bass Guitar Play.
Key Terms
- Fourths tuning
- A tuning scheme where each open string sits a perfect fourth above the next lowest string, used on the double bass.
- Pizzicato
- Plucking a string with the fingers rather than drawing a bow across it.
- Walking bass
- A bass line, common in jazz, that moves in a steady stepwise or scalar pattern to outline the harmony.
- Extension
- A mechanical attachment on some double basses that lowers the range of the lowest string beyond its normal pitch.
- Arco
- Playing with the bow, as opposed to pizzicato.
Common Misconceptions
"The double bass is tuned like a giant cello." The cello is tuned in fifths, while the double bass is tuned in fourths, which changes left-hand technique significantly.
"The double bass is only a classical instrument." It plays a central role in jazz, bluegrass, and many folk traditions, often using pizzicato technique rather than a bow.
"The double bass and bass guitar are basically the same instrument." They share a similar musical role but differ greatly in construction, amplification, and playing technique.
What to Listen For
In an orchestral recording, listen for the double bass section reinforcing the lowest notes beneath the cellos, often felt as much as heard. In jazz, listen for the walking bass line's steady, stepwise motion underneath the melody, and notice the percussive pluck and resonant decay of each pizzicato note. Comparing a bowed (arco) passage to a plucked one on the same recording highlights just how different the instrument can sound depending on technique.
Getting Started
Because of its size, beginners usually need guidance choosing a double bass that fits their height and reach, and smaller fractional sizes are common for younger players. Many students start with pizzicato technique before adding the bow, since plucking requires less immediate coordination between the bow arm and left hand. As with other large string instruments, proper setup and regular adjustment from a qualified technician help keep the instrument playable and in tune, a topic covered in when an instrument needs professional setup or repair.
Frequently Asked Questions
How is the double bass tuned?
It is commonly tuned E, A, D, and G, each a perfect fourth above the one below, unlike the fifths tuning used on the rest of the bowed string family.
Why is the double bass tuned differently from the violin and cello?
Its large size makes the fifths pattern impractical for the left hand, so fourths tuning keeps finger spacing more manageable.
Is the double bass bowed or plucked?
Both techniques are used; bowing (arco) is common in classical music, while plucking (pizzicato) is the standard technique in most jazz and folk styles.
What's the difference between a double bass and a bass guitar?
They serve a similar musical role, but the double bass is a large fretless acoustic instrument while the bass guitar is fretted, generally smaller, and electronically amplified.
- Grove Music Online
- The New Grove Dictionary of Musical Instruments
- Smithsonian Institution, National Museum of American History
- Oxford Companion to Music